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The Ivy is thrilled to welcome Randon Billings Noble, for a reading and celebration of her new anthology, A Harp in the Stars. Randon will be joined by three writers featured in the anthology: Tyrese L. Coleman, Kristina Gaddy, and Lia Purpura. This event will take place in-person, on our back patio.
What is a lyric essay? An essay that has a lyrical style? An essay that plays with form in a way that resembles poetry more than prose? Both of these? Or something else entirely? The works in this anthology show lyric essays rely more on intuition than exposition, use image more than narration, and question more than answer. But despite all this looseness, the lyric essay still has responsibilities—to try to reveal something, to play with ideas, or to show a shift in thinking, however subtle. The whole of a lyric essay adds up to more than the sum of its parts.
In A Harp in the Stars, Randon Billings Noble has collected lyric essays written in four different forms—flash, segmented, braided, and hermit crab—from a range of diverse writers. The collection also includes a section of craft essays—lyric essays about lyric essays. And because lyric essays can be so difficult to pin down, each contributor has supplemented their work with a short meditation on this boundary-breaking form.
Randon Billings Noble is an essayist. Her collection Be with Me Always was published by the University of Nebraska Press in 2019 and her anthology of lyric essays, A Harp in the Stars, was published by Nebraska in 2021. Other work has appeared in the Modern Love column of The New York Times, The Rumpus, Brevity, Creative Nonfiction, and elsewhere. Currently she is the founding editor of the online literary magazine After the Art and teaches in West Virginia Wesleyan’s Low-Residency MFA Program and Goucher's MFA in Nonfiction Program. You can read more at her website, www.
Tyrese L. Coleman is the author of How to Sit, a 2019 Pen Open Book Award finalist published with Mason Jar Press in 2018. She is also the writer of the forthcoming book, Spectacle, with One World, an imprint of Penguin Random House. Writer, wife, mother, attorney, and writing instructor, she is a contributing editor at Split Lip Magazine and occasionally teaches at American University. Her essays and stories have appeared in several publications and noted in Best American Essays and the Pushcart Anthology. She is an alumni of the Writing Program at Johns Hopkins University. Find her at tyresecoleman.com or on twitter @tylachelleco.
Kristina Gaddy is the author of Flowers in the Gutter: The True Story of the Edelweiss Pirates, Teenagers Who Resisted the Nazis (Dutton 2020) and Well of Souls: Music, Dance, Spirituality, and the Early Banjo, forthcoming from W.W. Norton. Her writing explores and highlights forgotten and marginalized histories, and has appeared in The Washington Post, Baltimore magazine, Wash
Lia Purpura is the author of nine collections (essays, poems, translations.) A National Book Critics Circle Award finalist, she is a Guggenheim, NEA, and Fulbright Fellow, and has been awarded five Pushcart Prizes, among others. Her work appears in The New Yorker, The New Republic, Orion, The Paris Review, The Georgia Review, Agni, Emergence, and elsewhere. She is the Writer in Residence at UMBC, and has taught at conferences, workshops, prisons, and in communities and MFA programs throughout the country. It Shouldn’t Have Been Beautiful (poems) and All the Fierce Tethers (essays) are her latest collections.
TIME & DATE
Friday, October 15, 2021 - 7:00pm