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Too long unavailable, this luminous classic of small-town life in the segregated 1950s has "magic dust sprinkled over each and every page" (Veronica Chambers, New York Times Book Review).
Irene Wilson knows that a “no-name invisible something” has settled over her parents’ marriage and suspects her glamorous new teacher is to blame. Irene is not alone in her suspicions. In the town of Rattlebone, a small Black neighborhood of Kansas City, secrets are hard to keep and growing up is a community affair.
As Irene is initiated into adult passion and loss, her family story takes its place in a tightly woven tapestry of neighbors whose griefs and joys are as vivid as her own. Capturing an entire world through the eyes of its unforgettable heroine, Rattlebone is a one-of-a-kind triumph of American fiction.
About the Author
Maxine Clair was born and raised in Kansas City, Kansas. She is the author of the poetry collection Coping with Gravity and the novel The October Suite. On its first publication, in 1994, Rattlebone received both the Literary Award from the Black Caucus of the American Library Association and the Chicago Tribune Heartland Prize. Clair is a professor emerita at George Washington University.
"I read Rattlebone when it was first published in 1994. I loved it then, and all these years later I love it more. Now I understand how rare it is to find a book that contains such indelible characters, and such enormity of heart. Welcome back, Rattlebone, may you get all the love and attention you have long deserved." — Ann Patchett
“Each skillful plot twist, each new, wonderful character has the effect of a sip of literary love potion. There is magic dust sprinkled over each and every page . . . Maxine Clair has offered us hope without rhetoric. She has told a story of struggle with a quietly triumphant end that says, sometimes, even in places called Rattlebone, black girls get to live happily ever after too.” — Veronica Chambers
“Told in a style that is memorable for its ability to shift tones and to capture, in rich and controlled language, new levels of consciousness . . . Clair consistently attains the poetry organic to everyday speech while avoiding the quaint, the forced and the patronizing.” — Michael Parker
“This brilliant debut belongs on the same shelf as V. S. Naipaul’s Miguel Street and Jamaica Kincaid’s Annie John . . . Rattlebone is enchanting, sexy, wise, and richly imagined.” — Howard Norman
“Strong, melodic, and honest . . . We need stories like this to replenish us.” — Terry McMillan
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